Japanese V
EUGENIO MONTORO AYBAR
2025
Ballpoint pen and pencil on paper mounted on wood
Dimensions 12,5 x 20 cm
Concept of the drawing
The artwork "Japoneses V" carries forward the conceptual trajectory of the final section: "Act III. The Code of the Ballpoint Drawings (The Secret Messages)". Within the narrative design of the exhibition, this drawing introduces the themes of healing from trauma, finding emotional sanctuary, and cultivating fragile intimacy in defiance of external hostility.
The Material Ground: The European Banknote as a Space of Exile
Departing from Japoneses III, which employed an American dollar bill, this drawing utilizes an authentic vintage Dutch banknote of 10 guilders (10 Tien Gulden, Amsterdam issue, 1968, featuring an engraved portrait of Frans Hals):
- Geographical Transition: Introducing a European currency shifts the setting away from the claustrophobic alleys of Tokyo, relocating the drama into the realm of migration, displacement, or flight toward a European city (Delft).
- Currency and Redemption: While sustaining the overarching inquiry into bodily commodification and fiscal value, the piece inverts its meaning: the currency ceases to act as an inventory tag on human flesh, becoming instead a tangible relic of transit, a ticket of escape, or proof of an attempt to break free from the criminal underworld.
Compositional Analysis and Visual Structure
- Emma's Likeness (Intellectual Vulnerability): Anchoring the right side is the portrait of a young woman wearing contemporary dark-framed glasses. Her appearance marks a clean break from ritualized geisha styling: an unpretentious updo, natural skin free of cosmetic masks, and an attentive, serene gaze. The eyeglasses signify lucidity, critical distance, and a refusal of forced sensualization.
- The Stray Cat (Kindred Vulnerability): To the left, rendered with fine anatomical sensitivity and dense ballpoint cross-hatching, rests a striped cat with arresting emerald-green eyes. The feline archetype evokes urban solitude, homelessness, and quiet attunement to shared fragility.
- The Ballpoint Pen Idiom: The delicate interplay of ink and graphite integrates with the intricate guilloché patterns and security engravings of the note. The vibrant linework delivers the confidential immediacy of a personal diary entry or an evidentiary document.
English Inscription: The Parable of Two Wounded Souls
Replacing Japanese script, the remaining space is claimed by handwritten English text inscribed in vibrant green across the engraved surface:
- The Inscribed Text:
"Beneath the endless rain of Delft, Emma found a stray cat with green eyes and fur as gray as the mist. She believed she was saving him from the cold by taking him home, but in time she understood: solitude does not disappear when someone fills the emptiness, but when two wounded souls recognize each other." - Conceptual Resonance: The passage aligns with the central tenets of Act III regarding recovery from domestic violence and coercive control ("Overcoming abuse in a relationship... Choosing life over fear"). Deliverance becomes reciprocal: the protagonist recovers her own agency and capacity for trust precisely by extending shelter to another defenseless creature.
Role Within the Exhibition Arc
- From Terror to Sanctuary: In contrast to the overt anguish of Japoneses II and the impending abduction documented in Japoneses IV, this work introduces an essential psychological pause—a restorative threshold of quietude and emotional healing.
- Resilience Beyond Rupture: The piece confirms that the ballpoint code operates not merely as a forensic record of criminal violence, but as an intimate chronicle of spiritual endurance through which fractured lives reclaim dignity and step back into the light.

